Art on the edge : creators and situations / Harold Rosenberg.

By: Rosenberg, Harold, 1906-1978

Material type: Text

TextPublisher: Chicago : University of Chicago Press, 1983, c1975Description: xiv, 303 p. : ill. ; 21 cmISBN: 0226726746; 0026049007Subject(s): Art, American -- 20th century | Art -- Technique | Art, modern -- 20th century | ArtistsDDC classification: 709/.73 LOC classification: N6512 | .R674 1983Online resources: Publisher description | Table of contents only

Contents:

g[1.] _tCreators: _tDuchamp: private and public -- _tMiró: _tFertile fields ; _tAvant-garde masterpieces -- _tMondrian: meaning in abstract art I -- _tNewman: meaning in abstract art II -- _tOlitski, Kelly, Hamilton: dogma and talent -- _tLester Johnson's abstract men -- _tJoan Mitchell: artist against background -- _tDubuffet: shockers and fairy tales -- _tWarhol: art's other self -- _tSteinberg: self and style -- _tGiacometti: reality at cockcrow -- _g[2.] _tReflections: _tCriticism and its premises -- _tArt and the crowd -- _tThe Cubist epoch -- _tCollage: philosophy of put-togethers -- _tFuturism -- _tReginald Marsh: decline and fall -- _tThe profession of art: the W.P.A. art project -- _tPlace patriotism and the New York mainstream -- _tTrials of Eros -- _tShall these bones live?: art movement ghosts -- _tReality again: the new photorealism -- _tThoughts in off-season -- _tWhat's new: ritual revolution -- _tOn the edge: Documenta 5 -- _tAdding up: the reign of the art market -- _tThe old age of modernism -- _tThe peaceable kingdom: American folk art.

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Holdings ( 1 )
Title notes ( 2 )
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Holdings
Item type	Current library	Class number	Status	Date due	Barcode
Books / Monographs	Dominican University College Library / Collège Universitaire Dominicain Hours of operation: Monday - Thursday 8am - 8:30 pm; Friday 8am - 4pm \| Les heures d'ouverture : Lundi à jeudi de 8 h à 20 h 30; vendredi 8h - 16h Standard shelving location / Rayonnage standard	N 6490 .R67 A78 1983 (Browse shelf (Opens below))	Available		109968-1001

Includes index.

g[1.]
_tCreators:
_tDuchamp: private and public --
_tMiró:
_tFertile fields ;
_tAvant-garde masterpieces --
_tMondrian: meaning in abstract art I --
_tNewman: meaning in abstract art II --
_tOlitski, Kelly, Hamilton: dogma and talent --
_tLester Johnson's abstract men --
_tJoan Mitchell: artist against background --
_tDubuffet: shockers and fairy tales --
_tWarhol: art's other self --
_tSteinberg: self and style --
_tGiacometti: reality at cockcrow --
_g[2.]
_tReflections:
_tCriticism and its premises --
_tArt and the crowd --
_tThe Cubist epoch --
_tCollage: philosophy of put-togethers --
_tFuturism --
_tReginald Marsh: decline and fall --
_tThe profession of art: the W.P.A. art project --
_tPlace patriotism and the New York mainstream --
_tTrials of Eros --
_tShall these bones live?: art movement ghosts --
_tReality again: the new photorealism --
_tThoughts in off-season --
_tWhat's new: ritual revolution --
_tOn the edge: Documenta 5 --
_tAdding up: the reign of the art market --
_tThe old age of modernism --
_tThe peaceable kingdom: American folk art.

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