The fire and the sun : why Plato banished the artists / Iris Murdoch.
By: Murdoch, Iris
Material type: TextPublisher: Oxford [Eng.] : Oxford University Press, 1978Description: 89 p. 20 cmISBN: 0198245807Subject(s): Plato | DDC classification: 111.8/5 LOC classification: B398.A4 | M87Summary: In this book, based on her 1976 Romanes Lecture, the distinguished novelist and philosopher discusses Plato's view on art and examines sympathetically the reasons for his hostility towards it. She offers a coherent and fully argued account of Plato's theories of art and of beauty and of their metaphysical background, which shows also that Plato was aware of the dangers of his own artistry. The argument more widely concerns the place of art in life, and includes brief discussion of ideas of many other thinkers, including Kant, Tolstoy, Freud and Kierkegaard. The book also comprises in an accessible form a general view of the development of Plato's thought." [Back cover].Item type | Current library | Class number | Status | Date due | Barcode |
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Books / Monographs |
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B 398 .A4 M87 F57 1978 (Browse shelf (Opens below)) | Available | 100000005312 |
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B 395 .Z9 D473 1981 Comprendre Platon : un siècle de bibliographie platonicienne de langue française : 1880-1980 / | B 398 .A25 G64 1972 Die Lehre von der Abstraktion bei Plato und Aristoteles | B 398 .A4 C57 E45 1987 L'Effroi du beau | B 398 .A4 M87 F57 1978 The fire and the sun : why Plato banished the artists / | B 398 .A4 S3 1933 Platon et l'art de son temps | B 398 .A4 S3 1933 Platon et l'art de son temps | B 398 .A5 G74 O75 1948 Les origines de l'analogie philosophique dans les dialogues de Platon |
Based upon the Romanes lectures, 1976.
Includes index.
In this book, based on her 1976 Romanes Lecture, the distinguished novelist and philosopher discusses Plato's view on art and examines sympathetically the reasons for his hostility towards it. She offers a coherent and fully argued account of Plato's theories of art and of beauty and of their metaphysical background, which shows also that Plato was aware of the dangers of his own artistry. The argument more widely concerns the place of art in life, and includes brief discussion of ideas of many other thinkers, including Kant, Tolstoy, Freud and Kierkegaard. The book also comprises in an accessible form a general view of the development of Plato's thought." [Back cover].
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