La place du spectateur : esthétique et origines de la peinture moderne
By: FRIED, Michael
Contributor(s): BRUNET, Claire
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
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Books / Monographs |
Dominican University College Library / Collège Universitaire Dominicain
Hours of operation: Monday - Thursday 8am - 8:30 pm; Friday 8am - 4pm | Les heures d'ouverture : Lundi à jeudi de 8 h à 20 h 30; vendredi 8h - 16h
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ND 186 .F75 A28 1990 (Browse shelf (Opens below)) | Available | 30000000527949 |
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ND 180 .C64 S49 1964 Seventeenth-Century Painting | ND 180 .D38 D59 1981 Le XVIIe Siecle | ND 180 .F85 E26 1998 L'école du silence | ND 186 .F75 A28 1990 La place du spectateur : esthétique et origines de la peinture moderne | ND 186 .P45 N67 1965 XVIIIth Century French Paintings from the Louvre = Peintures françaises du XVIIIe siècle en provenance du Louvre | ND 186 .P56 E54 1964 Eighteenth-Century Painting | ND 190 .B35 N68 1922 Notre art, nos maîtres : Puvis de Chavannes, Gustave Moreau et Burne-Jones, G.-F. Watts |
Notes et références: pp. (189)-255
Absorption and Theatricality : Painting and Beholder in the Age of Diderot
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